from henri lefebvre, the production of space, 1974; 1991
[...] natural space is disappearing. granted, natural space was – and it remains – the common point of departure: the origin, and original model, of the social process. granted, too, that natural space has not vanished purely and simply from the scene. it is still in the background of the picture; as decor, and as more than decor, it persists everywhere, and every natural detail, every natural object is valued even more as it takes on symbolic weight (the most insignificant animal, trees, grass and so on).
as source and resource, nature obsesses us, as do childhood and spontaneity, via the filter of memory. everyone wants to protect and save nature; nobody wants to stand in the way of attempting to retrieve its authenticity. yet at the same time everyone conspires to harm it. the fact is that natural space will soon be lost to view. anyone so inclined may look over their shoulder and see it sinking below the horizon behind us. nature is also becoming lost to thought. [...] even the powerful myth of nature is being transformed into a mere fiction, a negative utopia: nature is now seen as merely the raw material out of which the productive forces of a variety of social systems have forged their particular spaces.
i was lucky enough to grow up in the niagara peninsula (well, really an isthmus), a fertile microclimate in southern ontario famous for tender fruit, vineyards and the rusting remains of a once-thriving auto industry. historically inhabited by first nations and then settled by the united empire loyalists and the site of the war of 1812, the niagara region birthed 4 incarnations of the welland canal, is one of only two regions in canada that can produce grapes and peaches, and the home of the spectacular niagara falls. it has always been valuable for it’s natural resources and political geography, .
why lucky?
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